Thursday, November 15, 2007

The Clock World


My latest animation in progress is entitled "The Clock". It is a subconscious reaction to the concept of time and a world that is ruled by an agreed system of time keeping. This thought snuck into the piece while it was being created. Perhaps it was the fact that I listened to two Radio Lab programs about the subject of "Time" while in the midst of the narrative content. Or perhaps it is a reaction to an existence being dictated by deadlines that are both self as well as socially imposed upon us.

The piece is still in progress and should be a self standing work that also supplies me for needed imagery that I hope to incorporate in future projects.

Saturday, November 3, 2007

Next Set of Characters



I have always loved sculptures in their raw clay form. The material gives off a sense of life that is hard to reclaim after the piece has been through a firing. Using these images in digital media pieces allows me to hold onto the fluid nature of these characters. At least to some degree. Of course, the photograph itself filters the piece as well.

Nothing documents "now" perfectly. One moment a piece is made the next it is remade, remixed, newly made, always "now" but never the same.

Wednesday, October 24, 2007

Monday, October 22, 2007

Past work....

It seems that past work tends to relate to future work. For that reason I have decided to post this link to a project I created last year. The animations are marks drawn on paper and photographed one at a time until the pages are filled. Sorry for the small video size. It is a large video, 15 minutes, so the download is a bit overbearing at larger sizes. A more in-depth description of the piece is on the page it resides on. I will try to post a better version of this on my web page in the future. Enjoy.

Making Marks

Monday, October 15, 2007

Shadow Puppets

These are some examples of modern as well as more traditional uses of shadow puppet imagery.

Negativehate
Shadowlight Productions: Ambrosia of Immortality
Shadowlight Productions: Making of The Wild Party
Shadowlight Productions
Wayang Kulit

I had mentioned an influence of mine being shadow puppetry. While I have a strong attraction to the general look of shadow puppets I believe the attraction is metaphorical as well as visual. The idea that our perceptions of reality may not be as solid as we would like to believe.

I do not think my animations will be completely based off of this look. However, I do find myself strongly attracted to this imagery and the people who use this imagery to tell stories.

I also find myself intrigued by the description I found of the Bali dalang or puppeteers. Their multidisciplinary approach to their work seems very similar to the activities of a modern multimedia artist.

This description touches as well on the fact that the dalang would travel from village to village and were not only performers but a sort of third party that would tell stories that would help a community with their local issues.

the following description came from
http://www.worldartswest.org/plm/guide/locator/shadowpuppet.shtml

The dalang, puppeteer or shadow master, asks the village about the local issues that they are facing and then chooses a story that illustrates solutions. The dalang tells the story, manipulates all the figures, interprets characters and voices for each, and produces sound effects punctuating speech and movement. The dalang also sings, cues the musical accompaniment, speaks several languages, and blesses the performance and surrounding area with mantras.

Micro Macro

I am finding myself struck by a statement in “A New Philosophy of Society” in which DeLanda talks about “the matter of special entities, in both the biological and social realms, that seem to operate in a scale-free way.”.... “On one hand, genes and words, are more micro than the bodies and minds of persons. On the other, they can also affect macro-processes: genes define the human species as a whole, and words can define religions commanding belief by large portions of that species.”(pg.41)

Again, I find myself interested in the concept of a micro / macro world. The many individual parts of the massive structure.

Within context of my current creative research it is the idea of an assemblage of mini stories or designs to create a larger story or visual structure.

In relation to my social thoughts it is a concept of seeing others as myself, a connected mass of humanity.

In relation to my personal views of the universe and what little I know about it. It refers to dissecting particles down to the smallest level, to a quark or smaller still, in which the particle you have found is the only particle left, the building block of atoms, air and all materials of the universe. Upon finding that particle one actually finds the largest particle or the blanket fabric of that universe.

In relation to my poetic side it is the feeling of floating on water. In which the sky and the sea, water and air are massive, overwhelming and alive. Greater then me and never ending. I, a mere seagull, floating on a horizon line.

Saturday, October 13, 2007

web site

My web site is up and running.

www.tbalogh.com

Monday, October 1, 2007

Markus Popp (Oval) Textuell

Example of glitch music and microsound

Markus Popp

Friday, September 21, 2007

the Jerusalem Cricket

Finding myself at a loss when I returned to the Recycling man project that I began earlier, I contemplated scraping the sketches shown on this blog. A combination of not knowing where I was taking the current imagery and being distracted by new ideas was overwhelming me.

The project was ultimately a multimedia study of “Memes” so I returned to the base description of a Meme.

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Meme:

A meme, as defined within memetic theory, comprises a unit of cultural information, the building block of cultural evolution or diffusion that propagates from one mind to another analogously to the way in which a gene propagates from one organism to another as a unit of genetic information and of biological evolution.

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I then pulled out my sketchbook in order to try to determine what I was going to do with the imagery. Upon opening up my old sketchbook I came across an entry that mentioned Jerusalem Crickets.

The first Jerusalem Cricket I came across was in Northern California where I worked as a gardner. Digging through the black garden soil I was shocked when I came across the odd insect. Roughly the size of my thumb, it laid curled and unmoving. Its swollen body was colored with the yellow and black stripes of a wasp, its legs those of a cricket and its head large and disturbing. Even after being dramatically uncovered by my digging it didn’t move but just laid still in what seemed a hibernated state. So I covered it back up with soil and left it alone. Learning later that they were harmless insects that usually live underground and not considered a pest I continued to leave them alone when I came across them.

The old entry in my sketchbook was talking about when one observes ones thoughts and emotions from a somewhat detached state. I had used the Jerusalem cricket as a metaphor for unformed thoughts and described them as “something not of me, outside of my soul but within my skin. An oddly wedged creature that lives curled on my spine by the base of my skull.”.... ”well hidden but so vulnerable when found.”

That old entry, that left over “meme” mixed with the current idea and became an element that moved the imagery into a new direction. When looking up the Jerusalem Cricket I found its alternate names. One, “the old bald-headed man”, fit my recycle man image perfectly. So I went with it and related the character in the sketch to the hibernating underground cricket.

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Jerusalem Cricket:

Stenopelmatus fuscus
Jerusalem crickets (genus Stenopelmatus) are a group of large, flightless insects native to western United States, along the Pacific Coast, and south into Mexico. Because of their large, human-like head, they are commonly called niƱo de la tierra (Spanish for "child of the earth") . They are also often called potato bugs, or alternatively the old bald-headed man.

Thursday, September 20, 2007

Wednesday, September 19, 2007

firstSketch- Recycled man







The first layout of a design idea using imagery of recyclable material, rusted auto parts and trash. Where the character is made of the same materials as his environment. A product physically and mentally of what those before him left behind.

Saturday, September 15, 2007

The First Entry

I rode the bus.
An urban youth fell asleep next to me. His head was encased in headphones, blaring rap so loud that I understood the words and I wondered how the boy could sleep through the sound. A constant blaring mantra of street existence, pulsating him to sleep, engulfing his subconscious.

I wore a black leather jacket and a baseball cap and for some reason I thought that made me invisible, a blank canvass walking for others to paint their impressions upon. If I committed a crime they would report “She was wearing a black leather jacket and a baseball cap”. From then on I would wear cocktail dresses and never be caught.

I don’t smoke but this was a day that it would have made sense. To carry the burning slow suicide stick with me, constantly aware of the closeness of death.

I watched a homeless man sitting on a bench, walked by a very tan man asleep at the bus stop. listened to the business men chat as they passed us all in their pale blue shirts and dark blue ties. Found myself wondering who was crazier, the man sleeping at the bus stop or the men with matching dark blue ties. Then the thought came that perhaps I am the crazy one because I actually ask myself these questions.

My walk took me to “The Market” coffee shop with it’s small tables and deli cases full of flaky pastries. Drinking coffee outside on Larimer street under a street clock so that I would not be late for the only appointment I had, a lunch meeting with an old friend.

A gentleman with missing front teeth, bruised skin and a crooked stance told me he had AIDS and begged for money. I told him I didn’t have any. I lied, for I juggled three quarters between my fingers in my pocket as I spoke, knowing I needed the change for the bus ride home. Then I wondered “Why do I give people money sometimes and not others?”

It was a strange day, one where the lines of poetry sung in my head describing the world around me in private melody. Without a book to write in the prose just danced around and narrated the street before me, placing stories upon the characters. A private dialogue that will never be heard or read or recited.

A man, grungy and tall, wearing a dark blue wind breaker and a baseball cap moved sideways towards me and growled “Hey gorgeous”. His movement, that of a predator. His smile, a dark scar that lifted just enough above his canines to resemble a snarl. I met his eyes briefly, just long enough for him to slightly step backwards. A game of body language. I nodded , acknowledged his presence and kept moving. He fishtailed behind me for a few feet after I passed. A shark in dark water. If I had been bleeding or had walked with a limp he might have attacked. So primitive.

Perhaps that should have scared me, but it didn’t , probably due to the crowd around me, walking with me, the illusion of safety in the presence of strangers. Instead I laughed to myself, if he had done anything I would have told the police, “He wore a dark blue wind breaker and a baseball cap.” All other details I had already forgotten.

Three quarters of the central city passed before me. There was an old man playing the clarinet. He has played here since I was a child. When I was sixteen I took pictures of him, thinking that I was being unique. Then one learns that he has been there since the beginning of time and every photography student takes pictures of him. He was old when I took pictures then, he is ancient now, gaunt, thin with pure white wispy hair, still playing the clarinet. More famous then any of the professional musicians I have ever known. More famous and more photographed. Everyone who lives here knows of him, the homeless, the street gypsies, the business men and the dishwashers.

I was almost to my destination when the same gentleman with AIDs approached me and begged me for money.
“Didn’t you just ask me over at the coffee shop?” I asked and he looked sad and forlorn and ashamed and we moved away from each other but I thought to myself, “I should have asked him if I could buy him lunch.” However, I had to keep moving, towards my only scheduled event of the day, my lunch meeting.

Arriving at the steel and glass building that contains my friends office, I felt the immediate change upon passing through the revolving door. The walls smooth concrete, the air in the lobby cool, the elevators sparkling chrome, the floors polished marble, the security guard dressed in a gold hued suit. Eighteen floors to Hitachi and a wall of glass with locked doors. A little intercom with a maroon button that I push to let them know that I am on the other side of that glass and would like to be on their side, with my friend and the people wearing suits to look at the pictures of her daughter that line her cubicle.
We went to lunch, talked of what we have done and what we are planning on doing. Three hours of stolen time where friendship held our attention until the power of data systems called her back to her cubicle and I strolled back to my wandering.

The stroll led me through the echoing convention center hallways then past the massive bronze sculptures that reside below the glass archway of the theater. It ended with me buying cereal and milk at a supermarket and waiting with a man in a wheelchair, both of us holding plastic grocery bags, for the bus to come take us home.

My friend and I had talked about diversity. That there can not be diversity if there is fear. How else can one really “see” a city except to accept it’s chaos and humanity without fear. How else can one experience life?